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Performances Productions

“La bohème” at Hong Kong Polytechnic University

This new adaptation aims to capture the origins of the novel in the semi-autobiographical novel Scènes de la vie de bohème by Henri Murger in an intimate dramatic adaptation of Giacomo Puccini’s classic opera. Reduced to the four principal roles, this new version is designed to focus on the emotional ties between the two couples.

The production, adapted by Peter Gordon and with a new musical arrangement by Marco Iannelli, keeps all the major music, arias and ensembles as well as the original, beloved story line, by moving Musetta’s Act II music to Scene 1 and reassigning some lines. The Star Ferry performances were reset in contemporary Hong Kong. It runs approximately 60 minutes.

Etta Fung and Chen Yong
Chen Yong, Isaac Droscha and Etta Fung
Chen Yong, Etta Fung, Ashley Chui and Isaac Droscha
Etta Fung and Chen Yong

Scene 1 opens with the writer Murger witnessing a death in hospital (as Mimì does in the original book), and then sitting down to write, stepping into the scene as Rodolfo. Scene 2 also open with Murger writing and again stepping into the scene for Rodolfo’s entrance.

The performances featured Etta Fung as Mimì, Ashley Chui as Musetta, Chen Yong as Rodolfo and Isaac Droscha as Marcello, with Jaclyn Chiu on piano.

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Performances Productions

“Le docteur Miracle” premieres at the Guangzhou Opera House

For the Guangzhou Opera House, operalab reset Dr Miracle as a “fairy-tale opera”. Modern-day Laurette travels to a French fairy-tale where all her dreams come true. It has a new world-premiere arrangement by Marco Iannelli that includes original music featuring resettings of familiar French children’s songs, and additional music by Bizet from his other operas “Don Procopio” and “Carmen”.

“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House

According to Christophe Bagonneau, cultural attaché at the French Consulate in Guangzhou, “This year, Festival Croisements is celebrating in its own way the 60 years of diplomatic exchange between our two countries, and for this occasion it is taking the name ‘Croisements 60’. Born during the years of cross-fertilization between France and China, 2003 and 2004, what festival could, better than Croisements, commemorate these 60 years of cultural exchanges that have mutually enriched us.

“Bizet’s opérette, ‘Le Docteur miracle’, given this year by the Guangzhou Opera House, enriches the festival and is a fine example of this programming and of the cooperation between our two countries.”

According to producer Jenny Liang Lizhen: “‘Dr Miracle’ is the third immersive comic opera created by the Guangzhou Opera House. The production is supported by the French Consulate-General in Guangzhou and has been included in the culture programme celebrating the 60th Anniversary of the Establishment of Diplomatic Relations between China and France. The Alliance Française of Guangzhou has also provided French language coaching.

“In this third iteration of our immersive comic opera programme, we also further explored how to make the opera popular with contemporary audiences and promote the modernization, popularization and popularization of the art of opera. We aim to create an opera suitable for audiences of all ages, incorporating elements such as children’s chorus and ballet to attract family audiences to appreciate it together. However, although we use methods close to contemporary people to create a lifelike opera scene, what we always want to convey is the essence of opera, so that the audience can feel the original and classical ‘no amplification, direct sound’ nature of operatic singing.

“This time, we selected outstanding young opera singers from all over China to provide growth opportunities and a platform for up-and-coming talent interested in engaging in opera careers. 35 actors and musicians have participated in this production.”

The original domestic rom-com “Le docteur Miracle” features everything that might be found in a modern musical or TV sit-com: a pretty teenage girl with a crush, parents that don’t listen, humorous misunderstandings, disguises, plots … and a happy ending.

For this production, “Dr Miracle” has been reset as a “fairy tale opera”. Modern-day Laurette travels to a French fairy-tale where all her dreams come true. It has a new world-premiere arrangement for chamber ensemble by Marco Iannelli that includes original music featuring resettings of familiar French children’s songs (including “Ah! vous dirai-je, maman” — better-known as “Twinkle, twinkle little star”, “Frère Jacques”, “Au claire de la lune” and “Alouette”) for soprano and children’s chorus which, says Iannelli, “add some fairy-tale sparkle”. The new arrangement also interpolates additional music by Bizet from his other operas “Don Procopio” and “Carmen”. 

Iannelli continues: “By inserting French traditional tunes, and involving children, we open the gate to a fairy tale story that is quite far from the original ‘old’ opera. In my arrangement, I wanted to link this ‘new’ style (more magical and children-oriented) to the traditional operatic orchestral treatment. The last number, a new finale, is illustrative: starting with a magical lullaby, it melds almost naturally with themes from other arias, summing up not only the story, but the entire musical journey.”

  • Silvio/Romeo/Dr Miracle (tenor): Lin Junliang & Li Haojun
  • Laurette (soprano): Jiang Jiatian & Xing Xinyuan
  • Podestat (baritone): Liang Kaixuan & Xie Zhiwen
  • Veronique (mezzo-soprano): Su Kexin & Xiong Wenqin
  • Conductor: Zhu Chengcheng

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Productions

“Le docteur Miracle” premieres in Guangzhou on 30 September 2024

Dr Miracle tells the timeless story of Laurette, a girl in love with a boy that her overbearing father thinks unsuitable — only a doctor or lawyer will do — but, despite the attractions of a vain and flirty stepmother, love finds a way through various disguises, a possibly poisoned omelette, and a fake doctor with a miracle cure. When an opera’s main musical selection is about an omelette, it’s a sure sign that the work is a farce. Overshadowed by Bizet’s later masterpieces The Pearl Fishers and Carmen, Bizet’s first opera has never, to the best of our knowledge, been performed in China. 

For this production, Dr Miracle has been reset as a “fairy-tale opera”. Modern-day Laurette travels to a French fairy-tale where all her dreams come true. It has a new world-premiere arrangement by Marco Iannelli that includes original music featuring resettings of familiar French children’s songs, and additional music by Bizet from his other operas “Don Procopio” and “Carmen”.

The new music includes resettings of such well-known songs as “Ah! vous dirai-je, maman” (better-known as “Twinkle, twinkle little star”), “Frère Jacques” and “Alouette” which add some fairy-tale sparkle.

The new production forms part of the cultural programme for the 60th anniversary of Sino-French relations.

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Productions

“The Triad” (“Le toréador”) wins Grand Prix France Hong Kong

The OperaLab production of Adolphe Adam’s Le toréador received the “Prix art et culture” of the 2024 Grand Prix France Hong Kong from the Petit Journal and the French Consulate General.

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Performances Productions

“Le toréador” by Aldophe Adam to premiere at the French May 2023

Le toréador (1849) is a opéra-comique by Adolphe Adam, a French composer best known for the ballet Giselle. The story is of a ménage–a–trois between an erstwhile soprano, her oft–absent and unfaithful husband, and a previous lover. The work features famous variations on the folk–song Ah! vous dirai–je, maman (better known as Twinkle, twinkle, little star in the English–speaking world). This semi–staged performance resets the story in contemporary Hong Kong as The Triad, or Three in Accord (retaining the musical pun in the original French title Le toréador, ou L’accord parfait).

The premiere takes place on 6 June 2024 at the Asia Society as part of the French May and will feature Etta Fung as Coraline, Chen Yong as Tracolin and Isaac Droscha as Don Belflor, with Hsu Wei-en on piano. This will be Hong Kong (and likely Greater China) premiere.

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Productions

“Pomme d’Api” wins Guangdong Provincial Awards

The Guangzhou Opera House’s production of “Pomme d’Api” by Jacques Offenbach has been named as “Best Work of Theatre” and “Most Innovative Production” for 2023 in the most recent Guangdong provincial awards.

The population of Guangdong is 126 million, roughly similar to Japan, or that of Italy and France combined.

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Productions

“La bohème” on Hong Kong’s iconic Star Ferry

OperaLab’s new “La bohème”, produced for the Dante Alighieri Society and Peninsula Hong Kong in commemoration of the Puccini centenary, opened on 27 and 28 April 2024 on Hong Kong’s iconic “Star Ferry”. Reduced to the four principals in a new arrangement by Marco Iannelli, and reset in contemporary Hong Kong, these performances take place against the dramatic backdrop of the world-famous Hong Kong skyline.

“La bohème” features Etta Fung as Mimì, Ashley Chui as Musetta, Chen Yong as Rodolfo and Isaaac Droscha as Marcello, with Hsu Wei-en on piano.

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Performances Productions

Premiere of “Pomme d’Api” in Guangzhou

The Chinese premiere of Jacques Offenbach’s “Pomme d’Api” opened on 30 June 2023 to a sold-out performance at the Guangzhou Opera House as part of the French Croisements Festival. Set locally in Guangzhou as the story of a small opera company putting on a production of Offenbach’s one-act operetta, this production was extended and adapted from the OperaLab’s French May production in Hong Kong in 2022, and included a world premiere score for chamber ensemble by Marco Iannelli, the addition of six additional selections from two other Offenbach operettas, “La Périchole” and “Pépito” and new Chinese dialogue.

The performance featured soprano Wang Xiaoqing as Catherine (Pomme d’Api), baritone Zhai Xiaohan as Rabastens and tenor Lu Yafei as Gustave. Zheng Honghao conducted and with Chen Yiyan as the pianist.

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Performances Productions

“Le docteur Miracle”, Hong Kong, 15 May 2023

15 May 2023: a new production of Dr. Miracle, Georges Bizet’s first opera, developed for Opera Hong Kong in partnership with HKUST as part of the 2023 French May. Reset in contemporary Hong Kong, with a new arrangement for chamber ensemble by Marco Iannelli, new dialogue in English and Cantonese, and interpolating a duet from another early Bizet opera, Don Procopio.

Leading a double with a new production of Rita by Gaetano Donizetti.

Details and registration.

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Performances Productions

“Rita” in Dongguan

The Guangzhou Opera Theatre production of “Rita” is being taken on tour, with the the first stop in Dongguan on 25 March 2023. The performance features Xing Xinyuan (soprano) as Rita, Lin Junliang (tenor) as Beppe and Zhong Haodong (baritone) as Gasparo.