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Performances Productions

“Scènes de la vie de Bohème” at the 2026 French May

Among the many Chinese who found cultural and intellectual inspiration in Paris between the World Wars were a number of now well-known artists, writers and musicians: Sanyu, Lin Fengmian, Pan Yuliang, Li Jinfa, Xu Xu, Shao Xunmei, Xian Xinghai, Ma Sicong.

This story of impoverished artists, equal parts humour, romance and tragedy, happiness and sadness, tells a completely recognisable and relatable tale of a group of young people in the period of self-discovery between feckless youth and adult responsibility.

Echoing the classic French novel by Henri Murger, based on the iconic opera by Italian composer Giacomo Puccini and sung in French, Scènes de la vie de Bohème is an intimate dramatic adaptation of Giacomo Puccini’s classic opera. Reduced to the four principal roles, this new version is designed to focus on the emotional ties between the two couples while telling a story of the Chinese cultural diaspora in Paris: a story of love, loss, art, poverty and the richness of life.

The new version debuts for the French May as part of La vie bohème 2026 on 30 May at the Hong Kong Polytechnic University’s Jockey Club auditorium. The performance features:

Etta Fung – Mimi
Chen Yong – Rodolphe
Vivian Yau – Musette
Lam Kwok Ho – Marcel

Piano: Arièle Zanini

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Performances Productions

“Dr. Miracle” returns to Guangzhou Opera House for New Year 2026

The upcoming four performances from 31 December 2025 make bring this new adaptation of George Bizet’s first opera into its third year of lighting up the stage at the Guangzhou Opera House.

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Performances Productions

“Carmen Wong” staged in Hong Kong

Carmen Wong is a new adaption of George Bizet’s iconic opera set in a Hong Kong of the 1970s. Developed for the French May and as part of the “Carmen 2025” programme celebrating the opera’s 150th anniversary, and premiering at the Hong Kong Peninsula, Carmen Wong had two staged performances at the Hong Kong Polytechnic University in October 2025.

These staged performances featured Ashley Chui and Etta Fung as the two bar hostesses Carmen and Micaëla, Chen Yong as José and Isaac Droscha as the colonial policeman Escamillo, with Jaclyn Chiu on piano and including narration taken from Prosper Mérimée’s original novel.

Carmen at the Hong Kong Polytechnic University
Ashley Chui & Isaac Droscha
Etta Fung and Chen Yong
Ashley Chui and Chen Yong
Ashley Chui and Chen Yong
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Performances Productions

“Le docteur Miracle” premieres at the Guangzhou Opera House

For the Guangzhou Opera House, operalab reset Dr Miracle as a “fairy-tale opera”. Modern-day Laurette travels to a French fairy-tale where all her dreams come true. It has a new world-premiere arrangement by Marco Iannelli that includes original music featuring resettings of familiar French children’s songs, and additional music by Bizet from his other operas “Don Procopio” and “Carmen”.

“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House
“Dr. Miracle” : Guangzhou Opera House

According to Christophe Bagonneau, cultural attaché at the French Consulate in Guangzhou, “This year, Festival Croisements is celebrating in its own way the 60 years of diplomatic exchange between our two countries, and for this occasion it is taking the name ‘Croisements 60’. Born during the years of cross-fertilization between France and China, 2003 and 2004, what festival could, better than Croisements, commemorate these 60 years of cultural exchanges that have mutually enriched us.

“Bizet’s opérette, ‘Le Docteur miracle’, given this year by the Guangzhou Opera House, enriches the festival and is a fine example of this programming and of the cooperation between our two countries.”

According to producer Jenny Liang Lizhen: “‘Dr Miracle’ is the third immersive comic opera created by the Guangzhou Opera House. The production is supported by the French Consulate-General in Guangzhou and has been included in the culture programme celebrating the 60th Anniversary of the Establishment of Diplomatic Relations between China and France. The Alliance Française of Guangzhou has also provided French language coaching.

“In this third iteration of our immersive comic opera programme, we also further explored how to make the opera popular with contemporary audiences and promote the modernization, popularization and popularization of the art of opera. We aim to create an opera suitable for audiences of all ages, incorporating elements such as children’s chorus and ballet to attract family audiences to appreciate it together. However, although we use methods close to contemporary people to create a lifelike opera scene, what we always want to convey is the essence of opera, so that the audience can feel the original and classical ‘no amplification, direct sound’ nature of operatic singing.

“This time, we selected outstanding young opera singers from all over China to provide growth opportunities and a platform for up-and-coming talent interested in engaging in opera careers. 35 actors and musicians have participated in this production.”

The original domestic rom-com “Le docteur Miracle” features everything that might be found in a modern musical or TV sit-com: a pretty teenage girl with a crush, parents that don’t listen, humorous misunderstandings, disguises, plots … and a happy ending.

For this production, “Dr Miracle” has been reset as a “fairy tale opera”. Modern-day Laurette travels to a French fairy-tale where all her dreams come true. It has a new world-premiere arrangement for chamber ensemble by Marco Iannelli that includes original music featuring resettings of familiar French children’s songs (including “Ah! vous dirai-je, maman” — better-known as “Twinkle, twinkle little star”, “Frère Jacques”, “Au claire de la lune” and “Alouette”) for soprano and children’s chorus which, says Iannelli, “add some fairy-tale sparkle”. The new arrangement also interpolates additional music by Bizet from his other operas “Don Procopio” and “Carmen”. 

Iannelli continues: “By inserting French traditional tunes, and involving children, we open the gate to a fairy tale story that is quite far from the original ‘old’ opera. In my arrangement, I wanted to link this ‘new’ style (more magical and children-oriented) to the traditional operatic orchestral treatment. The last number, a new finale, is illustrative: starting with a magical lullaby, it melds almost naturally with themes from other arias, summing up not only the story, but the entire musical journey.”

  • Silvio/Romeo/Dr Miracle (tenor): Lin Junliang & Li Haojun
  • Laurette (soprano): Jiang Jiatian & Xing Xinyuan
  • Podestat (baritone): Liang Kaixuan & Xie Zhiwen
  • Veronique (mezzo-soprano): Su Kexin & Xiong Wenqin
  • Conductor: Zhu Chengcheng

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Performances

“Pomme d’Api” opens in Guangzhou 30 June

OperaLab’s “Pomme d’Api” has been adapted for a new run at the Guangzhou Opera House and part of the Croisements Festival. It includes a new score for chamber ensemble by Marco Iannelli, additional selections from “La Périchole” and a new “play-within-a-play staging”.

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Performances Productions

“Le docteur Miracle”, Hong Kong, 15 May 2023

15 May 2023: a new production of Dr. Miracle, Georges Bizet’s first opera, developed for Opera Hong Kong in partnership with HKUST as part of the 2023 French May. Reset in contemporary Hong Kong, with a new arrangement for chamber ensemble by Marco Iannelli, new dialogue in English and Cantonese, and interpolating a duet from another early Bizet opera, Don Procopio.

Leading a double with a new production of Rita by Gaetano Donizetti.

Details and registration.