operalab
In this world-premiere production, modern-day Laurette travels to a French fairy-tale where all her dreams come true. It has a new world-premiere arrangement by Marco Iannelli that includes original music featuring resettings of familiar French children’s songs, and additional music by Bizet from his other operas “Don Procopio” and “Carmen”.
Iannelli will conduct four special performances on 31 December 2024 and 1 January 2025.
For the Guangzhou Opera House, operalab reset Dr Miracle as a “fairy-tale opera”. Modern-day Laurette travels to a French fairy-tale where all her dreams come true. It has a new world-premiere arrangement by Marco Iannelli that includes original music featuring resettings of familiar French children’s songs, and additional music by Bizet from his other operas “Don Procopio” and “Carmen”.
According to Christophe Bagonneau, cultural attaché at the French Consulate in Guangzhou, “This year, Festival Croisements is celebrating in its own way the 60 years of diplomatic exchange between our two countries, and for this occasion it is taking the name ‘Croisements 60’. Born during the years of cross-fertilization between France and China, 2003 and 2004, what festival could, better than Croisements, commemorate these 60 years of cultural exchanges that have mutually enriched us.
“Bizet’s opérette, ‘Le Docteur miracle’, given this year by the Guangzhou Opera House, enriches the festival and is a fine example of this programming and of the cooperation between our two countries.”
According to producer Jenny Liang Lizhen: “‘Dr Miracle’ is the third immersive comic opera created by the Guangzhou Opera House. The production is supported by the French Consulate-General in Guangzhou and has been included in the culture programme celebrating the 60th Anniversary of the Establishment of Diplomatic Relations between China and France. The Alliance Française of Guangzhou has also provided French language coaching.
“In this third iteration of our immersive comic opera programme, we also further explored how to make the opera popular with contemporary audiences and promote the modernization, popularization and popularization of the art of opera. We aim to create an opera suitable for audiences of all ages, incorporating elements such as children’s chorus and ballet to attract family audiences to appreciate it together. However, although we use methods close to contemporary people to create a lifelike opera scene, what we always want to convey is the essence of opera, so that the audience can feel the original and classical ‘no amplification, direct sound’ nature of operatic singing.
“This time, we selected outstanding young opera singers from all over China to provide growth opportunities and a platform for up-and-coming talent interested in engaging in opera careers. 35 actors and musicians have participated in this production.”
The original domestic rom-com “Le docteur Miracle” features everything that might be found in a modern musical or TV sit-com: a pretty teenage girl with a crush, parents that don’t listen, humorous misunderstandings, disguises, plots … and a happy ending.
For this production, “Dr Miracle” has been reset as a “fairy tale opera”. Modern-day Laurette travels to a French fairy-tale where all her dreams come true. It has a new world-premiere arrangement for chamber ensemble by Marco Iannelli that includes original music featuring resettings of familiar French children’s songs (including “Ah! vous dirai-je, maman” — better-known as “Twinkle, twinkle little star”, “Frère Jacques”, “Au claire de la lune” and “Alouette”) for soprano and children’s chorus which, says Iannelli, “add some fairy-tale sparkle”. The new arrangement also interpolates additional music by Bizet from his other operas “Don Procopio” and “Carmen”.
Iannelli continues: “By inserting French traditional tunes, and involving children, we open the gate to a fairy tale story that is quite far from the original ‘old’ opera. In my arrangement, I wanted to link this ‘new’ style (more magical and children-oriented) to the traditional operatic orchestral treatment. The last number, a new finale, is illustrative: starting with a magical lullaby, it melds almost naturally with themes from other arias, summing up not only the story, but the entire musical journey.”
OperaLab’s new production of George Bizet’s “Dr. Miracle” for Opera Hong Kong in cooperation with HKUST and in association with the French May premiered at HKUST’s Shaw Auditorium on 15 May 2023.
It featured Etta Fung as Laurette, Isaac Drocha as her professorial father, Chen Yong as Silvio, Romeo and the eponymous Dr. Miracle and Ashley Chui as the stepmother Véronique.
Marco Iannelli’s new score was performed by the OperaLab Chamber Orchestra conducted by Hsu Wei-en.
Dr Miracle appeared in a double bill with a new production or Gaetano Donizetti’s “Rita“.
15 May 2023: a new production of Dr. Miracle, Georges Bizet’s first opera, developed for Opera Hong Kong in partnership with HKUST as part of the 2023 French May. Reset in contemporary Hong Kong, with a new arrangement for chamber ensemble by Marco Iannelli, new dialogue in English and Cantonese, and interpolating a duet from another early Bizet opera, Don Procopio.
Leading a double with a new production of Rita by Gaetano Donizetti.